Monday, April 15, 2013

Giselle - A Chronicle Of Joy

By Haywood Hunter


The ballet, Giselle, is on a par with Hamlet in terms of its historical importance. Audiences go to see it time and again just for the opportunity of viewing the interpretation of the role by different ballet dancers. They comment that each time it is different and they see something new.

A unique take on the theme of the love triangle, Giselle is the story of a young peasant country girl who perishes of a broken heart upon learning that the wealthy Albrecht, with whom she has fallen in love, was bethrothed to another woman. Hilarion, a commoner who is in love with the peasant girl, is seen mourning at her grave when he is surprised by the Wili, the ghosts of young women who had not lived to see their wedding days. They fill their nights for eternity by torturing men to death.

It was the practice of the Wili to use their abundant beauty to attract vulnerable young men and force them to dance until they died of exhaustion. Hilarion, they pursued and then threw him to his death in a lake. Albrecht, to whom the band of bitter spirits turn their attention after disposing of Hilarion, fares somewhat better. The spirit of the peasant girl is summoned from her grave. She protects him from the Wili until daybreak, when they go back to their graves to rest until night falls again. Giselle forgives her lover and goes back to her grave where she may now rest peacefully for eternity.

First presented in Paris at Salle le Peletier in June 1841, it appeared in London at Her Majesty's Theatre in March 1842. It went on to be presented in Russia, Italy and the United States. It is now a film in 3D.

The role demands technical precision, dramatic acting skill as well as outstanding grace. For this reason, it is one of the most coveted roles in ballet. It was created for Carlotta Grisi by dramatist Theophile Gautier. It has been played by many other accomplished ballerinas including Anna Pavlova, Alicia Markova and Svetlana Zakharova.

Gautier was inspired by the story of the Wilis, which was written by poet and novelist Heinrich Heine. Gautier pictured it in his mind as a ballet. He worked with the composer, Adolphe Adam and choreographer, Jules Perot.




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